130 Days of Pseudopolis - Revision history

Old Dickens: Old Dickens moved page 130 Days of Pseudopolis on Wheels! to 130 Days of Pseudopolis over a redirect without leaving a redirect: revert

2021-10-20T15:45:44Z

Old Dickens moved page 130 Days of Pseudopolis on Wheels! to 130 Days of Pseudopolis over a redirect without leaving a redirect: revert

← Older revision		Revision as of 15:45, 20 October 2021
(No difference)

U mad bro: U mad bro moved page 130 Days of Pseudopolis to 130 Days of Pseudopolis on Wheels!

2021-10-20T13:45:13Z

U mad bro moved page 130 Days of Pseudopolis to 130 Days of Pseudopolis on Wheels!

← Older revision	Revision as of 13:45, 20 October 2021
(No difference)

Old Dickens at 00:41, 30 November 2013

2013-11-30T00:41:00Z

← Older revision		Revision as of 00:41, 30 November 2013
Line 3:		Line 3:
	==Annotation==		==Annotation==

	The Roundworld referent is most probably the Marquis de Sade's '''''120 Days of Sodom''''', in which the positions are not completely physically impossible, but would involve a great deal of physical discomfort at the very least, and excruciating physical pain at the very worst. De Sade builds his unique personal philosophy in which he defines a basic human right to do anything he damn well likes to anyone he damn well chooses - allowing them only the right to become a sadist to others in their own turn (should they survive). As the book defines a sort of Fascist philosophy of human sexuality, this was filmed by Pasolini as a satire on the last days of Mussolini's Italy.		The Roundworld referent is most probably the Marquis de Sade's '''''120 Days of Sodom''''', in which the positions are not completely physically impossible, but would involve a great deal of physical discomfort at the very least, and excruciating physical pain at the very worst. De Sade builds his unique personal philosophy in which he defines a basic human right to do anything he damn well likes to anyone he damn well chooses - allowing them only the right to become a sadist to others in their own turn (should they survive). As the book defines a sort of Fascist philosophy of human sexuality, this was filmed by Pasolini as a satire on the last days of Mussolini's Italy.

	[[Category: Discworld publications]]		[[Category: Discworld publications]]
	[[de:Die 130 Tage in Pseudopolis]]		[[de:Die 130 Tage in Pseudopolis]]

User: 1 revision: Discworld import

2012-09-23T21:51:07Z

1 revision: Discworld import

← Older revision	Revision as of 21:51, 23 September 2012
(No difference)

Rene at 12:33, 21 December 2010

2010-12-21T12:33:46Z

New page

Mentioned in {{P}}, this book is similar to [[The Shuttered Palace]], except that, according to [[Ptraci]], it includes physically impossible positions.

==Annotation==

The Roundworld referent is most probably the Marquis de Sade's '''''120 Days of Sodom''''', in which the positions are not completely physically impossible, but would involve a great deal of physical discomfort at the very least, and excruciating physical pain at the very worst. De Sade builds his unique personal philosophy in which he defines a basic human right to do anything he damn well likes to anyone he damn well chooses - allowing them only the right to become a sadist to others in their own turn (should they survive). As the book defines a sort of Fascist philosophy of human sexuality, this was filmed by Pasolini as a satire on the last days of Mussolini's Italy.

[[Category: Discworld publications]]
[[de:Die 130 Tage in Pseudopolis]]